To celebrate the release of Furious 7 this Easter weekend, each night, I’ll watch one Fast & Furious movie and report on my findings. Join me as I follow our valiant illegal drag-racers as they tokyo drift across the various speed bumps and barricades life throws at them. The gang returned in Fast & Furious 6, and this time, they’re drag racing to save the world (more or less).
What happens:
Our sixth Fast & Furious instalment opens mid-race on a treacherous mountain road. The film’s constant heroes, Brian O’Conner (Paul Walker) and Dominic Toretto (Vin Diesel) are blasting around hairpin turns in the Canary Islands, and we notice that O’Conner has traded in his black Chuck Taylors for some kind of Airwalks as his driving shoes. (What the hell, O’Conner!?) However, they’re not in the middle of another heist or racing for pink slips – they’re racing to witness the birth of Brian’s new son, Jack. Dominic warns Brian that the moment he walks through the hospital doors to see his wife (and Dom’s sister) Mia (Jordana Brewster) and his new son, everything changes. His old life will end. This is followed by a dazzling and nostalgic credit sequence that recaps the Fast & Furious films 1 through 5 (excepting 3, which happens after this film).
Agent of the Diplomatic Security Service, Hobbs (Dwayne “The Rock” Johnson), arrives in Moscow and meets up with his new partner, Riley (former MMA champion Gina Carano), who informs him that a military caravan was attacked by some drivers who made off with some important technology within 90 seconds – a bit slower than Nicolas Cage and friends). Hobbs notes that this could only be the work of one crew, so when he walks into an interrogation room to question the one suspect they arrested from the heist, and when he looks a lot like Vin Diesel from the back, you’re confused when he has a British accent. It’s not Toretto, but instead a British goon that Hobbs knows is working for a man named Owen Shaw (Luke Evans). Hobbs engages in some old-fashioned police brutality to find out Shaw is in London.
Dominic, peacefully in bed with his now-girlfriend and former Rio cop, Elena (Elsa Pataky), wakes up early to work on an engine on the patio of his Canary Island villa. Hobbs appears out of nowhere and chides Dominic that he was rather easy to find. Dominic shoots back that he likes it in the Canary Islands as there are no extradition laws. (Sick burn.) Hobbs tells him about the Moscow job. He knows it wasn’t him, and he doesn’t want to arrest him either, but he also knows that Toretto is going to want to help him bring in the crew that did it once he sees a photo. He shows Dominic the photo of Letty (Michelle Rodriguez) and says she’s been working with Shaw. Elena, an extremely understanding girlfriend, urges Dominic to help Hobbs, saying that if it were her (deceased) husband in Hobbs’s photograph, she’d jump at the chance. Dominic agrees, but Hobbs insists he needs his team as well. They’re getting the band back together!
Planning the best Sweet 16 birthday party ever.
Toretto’s team is scattered across the globe – Roman (Tyrese Gibson) is taking some attractive women to Macao in his custom It’s Roman, bitches private jet, Gisele (Gal Gadot) and Han (Sung Kang) are travelling in Asia. A surprisingly ripped Tej (Chris “Ludacris” Bridges) is acting as Caribbean Robin Hood, making ATMs explode with money. But once they get calls from Dominic, they rush to help him. Then Dominic makes a house call to Brian, Mia, and his new nephew. Brian is growing restless in his domestic life, but wants to be a good father to Jack. So when Dom shows him the photo of Letty, he’s conflicted. He worries it could be a lie – faking a photo is something he would have done when he was a cop. (You just can never trust the cops in these movies!) But if Dom is hunting Shaw, he wants in. Dom reminds Brian that he promised he’d leave this life behind, but Mia insists they both go to help Letty. She insists they are stronger when they work together (which is a pretty true mark of a great friendship).
The assembled team arrives in London to be briefed on the Owen Shaw situation. Because they’re now working for the government, they have some high-tech facilities.Shaw used to work for the U.K.’s mobility unit, which means he’s a bit of a vehicle specialist. He seems to be collecting components to build a “nightshade device,” which would disable a country’s military grid for a day – this is a device that could be worth billions. He has collected three components and there’s only one remaining part he needs. (The plot seems to be taken directly from the G.I. Joe cartoon’s “Weather Dominator” series.) Hobbs also notes that they have a chance to make their makeshift family whole again, as Letty appears to be working for Shaw. Dominic says that if his team is successful, Hobbs needs to grant them all full pardons. During all this exposition, we witness perhaps my favourite scene in the Fast & Furious movies, when inveterate snacker Roman asks fellow snack fiend Han for some of his chips, and Han notes his bag is already empty. (The snacking angle in this movies is primo.)
The member of Shaw’s team they arrested is being wired and sent back to meet with his boss, and the team and Hobbs’s men keep surveillance on the situation. But as Shaw is speaking with his henchman, the team learns the rest of Shaw’s team has staged an assault on Interpol. They race over to Interpol headquarters with only Hobbs and Dominic staying behind to keep watch on Shaw. Shaw hops in a low-riding dragster and drives off, just as the building and bridge surrounding the building explode – he’s rigged the entire area with bombs. Hobbs and Toretto hop into cars and chase after Shaw. However, Shaw’s ride has been modified into a kind of ramp car, with a metal ramp on its hood, so that he can flip over any oncoming police cars, much like something out of Robot Wars. As the chase continues, the rest of Toretto’s crew reach Interpol and are attacked by the heavy firepower of Shaw’s crew. Another member of Shaw’s group, Vegh (Clara Paget) has a second ramp car. As Toretto’s team pursues the fleeing Shaw crew, Shaw’s men shoot discs onto their cars that disrupt their computer systems, causing the cars to fly out of control. The discs put most of the team out of commission, save Brian, who cleverly shears the disc off his car’s side by sideswiping a pillar.
The two chases converge and continue into a tunnel. Brian pursues Vegh, Riley and Hobbs race after Shaw, and Toretto finds Letty and speeds after her. Vegh flips Brian’s car while Hobbs leaps onto Shaw’s dragster and is quickly shaken off. Only Dominic corner his quarry, but as soon as he exits the car to talk to Letty, she shoots him in the shoulder and drives off. (What are you doing, Letty!?)
Back at their headquarters, our heroes regroup. Dominic takes the bullet out of his shoulder himself (surely there must be someone else who could do this for him), but it’s not the bullet that hurts the most. Still, he tells Brian that Letty is family, and you don’t turn your back on family … even if they shoot you, I guess. Shaw’s team regroups as well, and Shaw is a bit struck that he’s finally found formidable opponents. One of his men has run information on Toretto’s team and finds a photo of Dom and Letty, joshing around in happier times. Letty claims she has no memory of him at all. Whether she’s telling the truth or not, Shaw wants his team to find his opponents’ weakness and exploit them. Tej is running info on the bad guys as well, and Roman remarks they look like their evil twins. Hobbs arrives to inform them that what Shaw took from Interpol was a database of all the locations where he can obtain the nightshade device’s final component. But that information will only be accurate for 96 hours. They’re on a tight timeline.
This is not a car you find on AutoMart.
Han, Roman, Riley, and Gisele leave to investigate the limited number of London garages where one could get the modifications done on the ramp cars they saw. Tej and Hobbs head out on a hunt to find fast cars that don’t have electronic dashes (so those disruptors won’t work on them). And Dominic and Brian, realizing the bullet he was shot with is from a specific Russian gun purchased in a country with strict gun laws, set out to track down the pawn shop it came from to see if they can find Letty. Tej and Hobbs hit up a fancy car auction and Hobbs tries to convince Tej not to steal anything. They encounter a stuffy British auctioneer who informs them “the kitchen help entrance is at the back.” Tej, using his ill-gotten Fast Five gains, buys a bunch of awesome (digital-free) cars, then, to humiliate the condescending auctioneer, asks for his shirt and pants, as well. (The best revenge is living well … and taking someone’s shirt.) Dominic and Brian encounter some heavies when they start asking questions at the pawn shop, but who’s really any match for the dynamic duo of Brian O’Conner and Dominic Toretto?
The third portion of our team encounters a few more problems. While Gisele and Riley first try to charm, then rough up a skeevy British garage owner for information, Roman realizes that Han is totally in love with Gisele and wants to marry her. The garage owner admits he’s working for Shaw, but secretly alerts Shaw that he’s in trouble. Three of Shaw’s thugs (including Letty) arrive and they open fire on the garage office, hitting the owner. (Letty seems a bit confused, as if she didn’t know anyone was going to get killed.) Han and Roman run after one of the killers, Jah (Joe Taslim), Riley chases after Letty, and Gisele shoots the third man, Ivory, dead, then returns to check on the garage owner. While Riley and Letty get into a massive drag-out fight in Waterloo tube station, and Han and Roman attempt to best Jah in martial arts (after Jah makes short work of three police officers), Gisele gets the garage owner to give her his phone and to confess that Shaw is working with Braga (John Ortiz ), from Fast & Furious (#4)! Letty eventually shoves Riley down a staircase and escapes by subway, and Jah subdues both Han and Roman, then walks away.
When Letty returns to headquarters and tells Shaw that Ivory was killed, Shaw shows little sympathy for his dead team member. (This is bad managerial style.) Seeing Letty is upset, Shaw follows her to the garage and acts vaguely pervy and threatening, while revealing some of the hidden back story: he found Letty in the hospital and she had no memory when he conscripted her into his team. When Toretto’s team reconvenes, Gisele informs them that her old boss, Braga, is involved. Brian decides he needs to pay his old collar a visit in prison. Only one problem: Brian is a wanted fugitive and if he sets foot on U.S. soil, he’ll be arrested.
O’Conner strikes a deal with his old work nemesis, Stasiak (remember him?). Stasiak has given him a false identity to get him into prison, but he only has a short time before they figure out who he really is, and then Stasiak won’t able to help him get out. Stasiak has learned Braga is in solitary, so Brian will have to do something bad to get into solitary as well. He decides to break his former colleague Stasiak’s nose. Placed in solitary, Brian is approached that night by Braga, accompanied by two shiv-toting thugs. Braga reveals how he used to run a whole bunch of operations with Shaw’s help, and tells him what really happened with Letty: when they found out she was an undercover plant, Fenix didn’t shoot her directly; he shot her car. The resulting explosion knocked her unconscious. Shaw went to the hospital to finish the job, but once he realized she had no memory of her past life, he realized he could mould her into the perfect driver for his operation. So nefarious! The backstory explained, he opens the door and his thugs attack Brian, but Brian breaks fingers and busts skulls on his way to freedom.
Back in Merrie Old England, Dominic visits an illegal street race, which looks kind of like a Transplants music video. He finds Letty there and challenges her to a race for pink slips. “Ride or die, remember?” Dom asks, and Letty seems like maybe she does. They race through the London streets, zipping around double-decker buses and drifting around roundabouts. “This guy is crazy!” Letty marvels. Dominic wins the race and they pull over to an abandoned parking lot. In intimate conversation, Dominic tries to make Letty remember who she was. “Show me how you drive and I’ll show you who you are,’” Dominic says, making a strong case to become the Confucius of drag racing. He then tells her how she received her various scars (sexy), and reveals they have matching hip scars from their time in the Dominican. He gives her her old crucifix, hoping it stirs up more old memories. Letty says she isn’t the woman he remembers and drives off. That’s when Shaw arrives to start a pissing contest with his arch enemy.
Shaw talks about men and their codes. He notes his code is all about precision. The parts of his team are like interchangeable parts. If a part isn’t working, he’ll swap it out. Dominic’s code is loyal to a fault. He treats his team as a family, and that makes him vulnerable, Shaw notes. Shaw warns Dominic to walk away from his pursuit. If he does, he won’t hurt his family. That’s when a laser sight appears on Dominic’s chest. But the tables turn, and soon Shaw sees a laser sight on his own chest. Hobbs, who had followed Dominic, has his gun trained on the British criminal mastermind. Both men part ways. Back at his home base, Shaw questions Letty’s loyalties, but she passes her crucifix to Shaw and says he can keep it. Dominic means nothing to her.
Dom and Letty play “show me your scars and I’ll show you mine.”
After doing, like, computer stuff, Tej figures out the general vicinity of Shaw’s hideout. Riley and Hobbs investigate but find it’s been evacuated. However, Hobbs notices some paint on the ground and brings a sample back. The team is able to analyze the paint and find it’s specific to certain military bases (really?). They cross-reference this with the database of military locations where Shaw could procure his last component and realize his next target is a NATO base in Spain. Tej informs Hobbs (or “Samoan Thor,” as he calls him) the NATO base is in trouble, and Hobbs is already on the road. Hobbs and Riley soon thereafter secure the NATO base and the soldiers there catch one of Shaw’s men trying to weaken their defence systems. They decide to move the component from the base to make it safer. Brian returns from the United States in one piece and warns his team to be wary of Shaw. Braga told him Shaw only lets people close if he wants them there. Dominic and Brian then realize that Shaw’s target isn’t the base, but the convoy that will be transporting the component!
Shaw and his team roll up in black trucks and cars and commandeer the military transport. Moments later, Toretto’s team arrives in the vicinity, zooming down the other side of the freeway. That’s when Shaw literally explodes out of the front of the transport truck in a tank. So, this throws Toretto’s team’s plans for a loop. As Tej says into the walkie-talkie (yes, the walk talkies are back!), “Uh, guys … they got a tank!” Han and Gisele, on motorbikes, leap onto the truck driven by one of Shaw’s goons and take it from him. Meanwhile, the tank fires on Brian, Dominic, and Roman, all driving muscle cars. Shaw also gleefully starts running over random cars in his panzer, crushing the drivers inside, I imagine. (We do see some drivers jump out of their cars before they’re flattened, but only some.) Roman’s car gets caught in the front treads of the tank, so he cables his car to it. Brian then jumps the divider to the other side of the freeway and Roman takes a flying leap onto his car’s roof (and it looks pretty awesome). The convoy is driving over a bridge and Dominic notes that Roman’s disabled car, cabled to the tank, could make a pretty good anchor. Brian attempts to push Roman’s car off the side of the bridge and Shaw, realizing what they’re trying to do, orders Letty to cut the cable. She stands out on top of the tank just as Brian succeeds and Roman’s car anchors the tank to the sea below. Letty is thrown from the tank in the resulting hard stop, which leaves it to Dominic, who has been tailing Brian, to leap from his car across the bridge, catch Letty, and land on a car’s roof. (Realism: not Fast & Furious 6‘s strong point.)
Letty is reunited with her old friends (all it took was Dominic saving her life), and Shaw is in custody. But the story is far from over. Shaw tells Toretto and Hobbs that they’re going to give him his final nightshade component and let him walk away free. When they scoff, Shaw asks them to call Mia. Yes, two of Shaw’s goons have kidnapped Mia; Shaw exploited Dominic and Brian’s weakness: their fondness for family. Hobbs allows Dominic to let Shaw go, but says that words like “amnesty” and “pardon” are off the table. “Those words went out the day we were born,” Dominic says. Shaw drives off with his team and the component and bring along – in a twist – Riley, who was a double agent working for Shaw!
Shaw and his crew race down the airplane runway, a getaway during which he reveals his true evil: he’s going to kill Mia anyway. Dominic’s team jumps into action, and Letty decides to go with them. Our heroes close in on Shaw when a massive cargo plane lands in front of him and (still moving) opens its bay doors. Shaw drives his truck into the cargo plane first. Inside the cargo plane are his goons Vegh and the man-mountain Klaus, along with their captive, Mia. Shaw’s team members are to join him, but Han and Tej smash their cars out of the way so Dominic (with Brian and Letty along for the ride) can beat them to the plane. They drive up the ramp and run down Riley. Once they exit, they split up, battling the various Shaw members inside the cargo bay: Letty fights Riley, Dominic fights the giant Klaus, and Brian battles Shaw. (The most important thing you need to know about those match-ups is Dom does a flying head-butt at Klaus.) Hobbs eventually joins in on the plane fight (he hops onto the landing gear from Tej’s truck) and gives Toretto’s team the advantage. (He even pairs up with Dominic and the two team up against Klaus, Batman and Robin style.) Soon Brian and Mia drive out of the plane using the ramp and have a race battle with Vegh and her ramp car.
Meanwhile, Gisele has harpooned the wing of the plane and her and Han’s truck is hitched to the plane, as is the truck of Shaw’s goon. Gisele nearly falls off the truck, now dangling partway into the air, but Han grabs her. That’s when Shaw’s goon comes up behind him and, to save Han’s life, Gisele releases his hand and shoots the goon as she hurtles to the ground below. Han becomes furious rather fast after that, and tosses the goon into one of the plane’s engines. Letty, using another harpoon gun (they’re all over this movie), shoots Riley out of the plane. At this point, I realize this plane is on the longest runway in the world.
After all the harpooning and engine exploding, the plane is beginning to crash. Hobbs and Letty make flying leaps into Hobbs’s car, but Dominic stays for Shaw and the nightshade device component. As the team watches the plane crash and explode into flames, they worry that Dom has died. But then his muscle car smashes out the nose of the exploding, flaming airplane. Still, it appears he can’t outrun the explosion, and his car rolls a bunch of times. The other team members watch from the end of the runway (ah, it does have an end) in horror. Their eyes search frantically for Dominic in the explosion’s aftermath, and – of course – he emerges alive with the McGuffin in hand. He and Letty embrace. But then a tearful Mia asks, “Where’s Gisele?” and Han is so sad, it’s unbearable. Dominic hands Hobbs the McGuffin device (in a metal briefcase) and Hobbs tells him to name his price. “1327,” he answers.
1327 is the address of Dominic’s old home in Los Angeles, and next we see the Fast & Furious family, they’re at yet another barbecue. Han, still distraught over Gisele’s death, says he’s going to leave for Tokyo, and Roman and Tej banter while cooking. Hobbs arrives in Dominic’s driveway with Elena and informs the crew they’ve all been officially pardoned, and the three-way brotherly love triangle of Brian, Dominic, and now Hobbs, grows. Elena meets Letty and they both marvel at whatta man, whatta man, whatta mighty good man Dominic is. Elena will step aside, she tells Dom. “This is your family,” she says. Hers is the police force. (Which is a weird thing to say, when you remember her police department in Rio di Janeiro was universally crooked and most of them tried to kill her.) And while Letty still doesn’t remember her past, she says she feels like she’s home. Roman says grace and the credits roll.
But wait! It’s not over yet! In a post-credit sequence, we jump in medias res into Tokyo Drift (the third film). The scene recounts the chase in which Han dies, but we see it from a different vantage this time. From this new perspective, it’s not just a random car that T-bones Han while D.K. is shooting at him. Instead, that car hit him with purpose. A driver (played by Jason Statham!) emerges from the killer car and immediately calls Dominic Toretto. “You don’t know me,” he says, “but you’re about to.”
Roman Pearce (Tyrese Gibson), in glider mode.
Takeaway points:
- So, given the ending (and post-credit sequence) of Fast & Furious 6, it’s clear that The Fast and the Furious: Tokyo Drift takes place after Fast & Furious 6 and before Furious 7. So, my outlandish prediction about little Jack O’Conner-Toretto’s future was incorrect. I’m not sure if the intersection with Tokyo Drift was set up by Justin Lin from the get-go – Han’s comment in the fourth movie that he might go to Tokyo makes me think it wasn’t – but the various interlocking parts of each Furious film snap together in a very satisfying manner. After all, it was kind of odd that Han’s doom came at the hand (or bumper) of an anonymous Tokyo driver.
- Obviously, realism is not the Fast & Furious films’ strong suit. But some of the sequences really stretch believability in Fast & Furious 6. And I’m not even talking about that flying leap over the bridge where Dom saves Letty’s life. I was more incensed by Gisele’s death. Why is it that when Hobbs and Letty leap from a flying cargo plane into a jeep below, they don’t even injure their knees, but Gisele, falling from a jeep that can’t be that much higher than the plane’s cargo bay (considering it is dangling from that very same plane), dies upon impact? The plot required Gisele to die, I suppose, to get Han to Tokyo (sans girlfriend), but her death seems so outside the super-human physics established in the series.
- I haven’t mentioned it before, but the preponderance of crucifixes in the Fast & Furious movies, as well as how Toretto insists someone say “grace” before each meal, makes it impossible to not talk about faith in the Fast & Furious movies. Despite the criminal activity Dominic Toretto regularly undertakes, he’s undoubtedly a Catholic, and one who holds that faith important. I’ll draw your attention to the speech in Fast Five when Dominic remembers his father’s barbecues: “If you weren’t at church, you didn’t get to attend the barbecue.” Family is central to Fast & Furious movies, much as it is to Catholics. And in this sixth film, Letty asks how Dominic knew there would be a car to “break their fall” when he stops her from falling off a bridge to her death. His answer: he didn’t know. He had faith. Also, the Fast & Furious saga features at least one resurrection after Letty dies for Toretto’s sins (see Fast & Furious). I don’t know enough about Catholicism to explore this angle much more, but I think a Catholic reading of the Fast & Furious saga would be very interesting. And if someone hasn’t already made a Last Supper homage featuring the Fast & Furious family at a backyard barbecue, the internet is clearly broken.
- Most of this movie takes place in the United Kingdom, but I didn’t notice any effect that driving on the opposite side of the road had on the chases. (Our heroes regularly drive through oncoming traffic, so it’s understandable it didn’t make much difference.)
- Though most of the Fast & Furious movies revolve around a “code” of sorts, this instalment is the first to explicitly outline Toretto’s code – one of loyalty to his extended family of misfits and adrenaline addicts – and position it in stark contrast to Owen Shaw’s ruthless, machine-like code of precision. Shaw’s code is an analog to the rule of capitalism, in which people are replaced when they become obsolete or detrimental to financial gain. Toretto’s code, and how it manifests itself in his motley, multiracial, and sometimes conflict-ridden family, reminds me most of the notion of Houses in ball culture, as seen in Paris Is Burning, with Dominic as the sole house parent. Instead of competing in realness and vogueing, they compete in illegal street races. After all, both subcultures involve drag. So, as reluctant as I was to read the loving male relationships in the F & F movies with any sort of homosexual undertone, I do believe that the saga begs for a queer reading, if only for its reinterpretation of “family” and male homosocial activity.
- My car knowledge is growing with each Fast & Furious movie. I already knew what a Dodge Charger was, but I now realize that a Skyline is a car. (The car that Brian O’Conner typically drives.) And I no longer think someone was fired when the characters talk about racing for pink slips.
How fast?: Fast & Furious 6 is very fast. Not just in the speed of the cars, but in the rapidity of the exposition: one hour in, we’d already gone through what would be considered a full plot for most normal action movies. Also, the relative speeds of the vehicles in this movie was very confusing. I admit I’m no gear head, but should a tank be able to outrun a speeding Dodge Charger? Or, likewise, would a car have much chance keeping pace with an airplane that’s about to lift off?
How furious? The fighting in this film is pretty furious. As this series has progressed, more and more attention has been devoted to the hand-to-hand combat, with it becoming just as significant as the car chases. Consider the fury of the Riley-Letty battle in the Tube. Or Shaw’s henchman, Jah, fighting Roman and Han at the same time. And, as even-keeled as Han typically is, the death of Gisele made him plenty furious – so much so that he needed to leave the country for Tokyo. Oh, and throw her killer into a plane engine.
Favourite car stunt: The entire convoy / tank sequence on the highway and bridge is – to steal one of the film’s actor’s names – ludicrous. If I were to drill down into that scene further, the part where Brian jumps the highway divider to assist Roman, and then Roman leaps onto his speeding car’s roof, was a standout for me. Alone in my apartment, I shouted, “What?!”
Most magical soundtrack cue: Nothing struck me as particularly magical, so I’m going to select 2 Chainz and Wiz Khalifa’s “We Own It,” because it was featured twice.
Unexpected cameo: Sure, the Jason Statham appearance is, obviously, a pleasant surprise. It’s probably too much to hope he’s playing Frank Martin, transporter extraordinaire. (Frank probably wouldn’t kill Han, though.) But even more amazing: singer Rita Ora (now on screens everywhere as Christian’s half-sister in Fifty Shades of Grey) appears as the race caller at Dominic and Letty’s sexually charged drag race.
Luda looking his best while walkie-talking.
Bechdel Test Moment: I’ll hand it to Fast & Furious 6: there are way more interactions between the women in the film than in any previous Fast & Furious, though – antithetical to the Bechdel Test – they are mostly conversations about men, whether they be the shining example of manhood that is Dominic Toretto or the infant Jack. However, Riley and Letty do talk – with their fists – in the subway station. About how they’re going to kill each other and such.
Line of dialogue that makes it clear we’re talking both about a car and the driver’s sexual organ(s): “That ain’t a plane. That’s a planet.” – Roman, seeing the cargo plane land
Best fashion moment: As the Fast & Furious films increase in number, not only do their budgets improve, but their clothing gets nicer (which makes some sense in the context of the films, as all our principal characters, save government stiff Hobbs, are now millionaires). But I particularly envied Tej’s black baseball jacket. I would totally wear that. (Fast & Furious 6 also marks the return of Mia’s sun dress / cardigan combos – I guess because she’s a mother now.)
Next up: Furious 7 (2015).
